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	Paradise Lost and Silmarillion:Rebellion and evil in literary myths by John Milton and J.R.R. Tolkien Procházková, Eliška ; Charypar, Michal (advisor) ; Sládek, Miloš (referee) There is no doubt that profesor John Ronald Reuel Tolkien, while he was creating the oldest myths of his literary world, published under the title Silmarillion, worked not only with the Nordic, Germanic or Celtic myths, but as a Catholic did not forget about the christian stories. His inspirational sources certainly included it's biggest conflict, the Lucifer's rebellion against God. He apparently knew the most famous depiction of this theme, an extensive epic poem by an english baroque writer John Milton. In this thesis I will focus on Tolkien's own mythology and the strongest influences that could have affected it. And I will compare the story and destiny of Tolkien's Melkor with those of Satan. The biblical one and also the one as depicted by John Milton in his work. Keywords Tolkien, Milton, Silmarillion, Paradise lost, evil, mythology Detailed record
	Jungmann´s translation of Milton´s Paradise Lost MÍKOVÁ, Martina This Bachelor thesis will be concerned with the problem of translating the work Paradise Lost into the Czech language. It will concentrate on Jungmann's handling of form and vocabulary and adapting it for contemporary society and its requirements. It will try to determinate the extent to which the issue of translation during the National Revival relates to the cultural policy at the time. Detailed record
	His Dark Materials: Atheism in Philip Pullman´s Trilogy ERTELOVÁ, Jitka The aim of this bachelor thesis is to analyse atheistic elements in Philip Pullman´ s fantasy trilogy His Dark Materials (The Golden Compass, The Subtle Knife, The Amber Spyglass). The introductory parts of the thesis briefly describe the life of the writer, his literary output, inspirational sources of the trilogy and a critical reception of His Dark Materials. The middle parts of the thesis deal with various types of atheism and describe the contents of the volumes of Pullman´ s trilogy. The last part contains the analysis of atheistic elements in the trilogy, specifically the analysis of religious topics and ideological and religious movements. The conclusion generally summarizes findings of the analysis of the above-mentioned elements. Detailed record

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